There are numerous Lata Mangeshkar's monsoonal tunes which are murmured right up 'til now, as Abke sawan mein jee dare in the film Jaise Ko Taisa and Rimjhim gire saawan in Manzil both created by Rahul Dev Burman, both perpetually famous.
India's Goddess Of All Melodious Things Lata Mangeshkar imparted a special clinging to songs about the downpour. She sang various monsoonal songs, none more famous strong and magnificient than O sajna barkhaa bhaar ayee in Bimal Roy's Parakh.
Lataji concurred this was her most famous downpour tune ever. "I love everything about O sajna barhaa bahaar ayee. The way Salilda (Choudhary) formed it. Halanke Parakh ke sabhi gaane bahot achche hain (as a matter of fact every one of the melodies of Parakh are wonderful). I additionally cherished Mere mann ke diye and Mila hai kissika jhumka in Parakh. However, it was O sajna barkha bahaar which individuals keep on murmuring."
Lataji found the experience of recording O sajna barkha bahaar exceptional. "There was the Sitar played by the incomparable Jairam Acharya. A many individuals are under the mixed up thought that it was Pandit Ravi Shankar on the Sitar in Sajna barkha bahaar. The Sitar seems like the downpour falling."
There are numerous other Mangeshkerian monsoonal songs which are murmured right up to the present day, as Abke sawan mein jee dare in the film Jaise Ko Taisa and Rimjhim gire saawan in Manzil both made by Rahul Dev Burman, both lastingly well known.
Nonetheless, Lataji was more enchanted of her sister Asha Bhosle's Sawan aaye ya na aaye jeeya jhoome sawan hai in Dil Diya Dard Liya and Suman Kalyanpur's Ajhun na aaye balma saawan beeta jaye in Sanjh Aur Savera. Both downpour doused love two part harmonies highlighting Mohammed Rafi were co-sung by other female vocalists when Lataji had briefly quit singing with Mohd Rafi.
This didn't prevent Lataji from appreciating these monsoonal songs.
Talking on the getting through fame of the monsoonal tunes Lataji thought, "The effect of a melody relies upon an enormous part on how it is placed on the screen. My downpour tunes Ho ghata sawri in the film Abhinetri and Abke na sawan barse abke baras toh barsengi ankhiyan in Kinara were so really put across on screen by Hema Malini."
Another downpour tune that Lataji cherished was Chayee barkha bahaar pade angna phuhar. "Madan Mohan Bhaiyya and I were known for the most part four our Ghazals. Yet, here was an intriguing precipitation tune and that excessively set to a dance beat. That made this downpour melody one of a kind."
Lataji likewise singled out two other monsoonal tunes she sang with her sister Asha Bhosle. "One is Pad gaye jhoole saawan groove ayee re in the film Bahu Begum and the other is an unreleased melody called Phir ghata chayee situm dhaane ka mausam aa gaya. Not too many have some familiarity with the second tune as it never got delivered. Both were composed by the incomparable Sahir Ludhianvi and both were formed by the incomparable Roshan Nagrath," thought back Lataji.
Lataji added, "They were unique downpour melodies as I got to sing with my sister Asha. It was consistently really difficult for us to sing together, She was so on the ball thus right on the money in conveying the center of a sythesis. I completely appreciated singing with Asha."
At long last, before she bid us all farewell, Lataji discussed a mostly secret downpour melody of hers. "Geela paani in the film Satya is an exceptionally extraordinary downpour melody. Vishal Bhardwaj had formed this novel melody and Gulzar Saab had composed the words. I cherished singing Vishal's pieces. They were testing since they started and finished in unforeseen spots. Geela paani had a remarkable rhythm and an extrordinary thehrao (quietness). I recollect while we were recording the tune the movie's chief Ram Gopal Varma was likewise there. He appeared to adore the tune. Later I listened to he altered the tune of the film. This has happened to a portion of my best melodies before. Not reasonable for every one of those contribute their diligent effort to a tune.
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